Hello, everyone. I was clearing off a flat surface in my “office”—that
being the room that the computer, the sewing machine, the beading stuff, and a
lot of books live together in—and it occurred to me to discuss some of the
books that I referred to during the Great Dress Project.
The Great Dress Project was my daughter’s wedding dress,
which included a shrug and many assorted false starts. During the adventure, I
bought a number of books about various embellishment techniques and
formalwear/wedding projects.
One I had on hand at the beginning of the adventure was Bridal Couture,
by Susan Khalje. This had been my assistant for various sewing projects
over the years. When my daughter got engaged, I pulled it off the shelf and
went through it again. When she settled on a shape (the first time) I used it and
some off the shelf patterns to come up with the prototype strapless bodice. When she
changed the bodice to include band sleeves, it was back to Bridal Couture
again! I cannot say enough words about how helpful this book is. You can use it
for bridesmaid dresses and high school formal dresses just as well as for
wedding dresses. And its discussion of various fabrics is a good start on the
process of creating the whole project.
She decided on a beaded dress, so I accumulated books on beading, to go along
with one I had already: Bead Embroidery Stitch Samples, by Yasuko Endo; Beading on Fabric, by Larkin Jean Van Horn; Beyond Beading Basics, by Carol Rodgers; Fine Embellishment Techniques, by Jane Conlon; Bead & Sequin Embroidery Stitches, by Stanley Levy.
The one that was already here was Designer Bead Embroidery
by Kenneth D. King. It was helpful, but other than the very wise advice about
underlining to give structure to the fabric and using an embroidery frame, I
didn't end up using actual words in it much. It did get me started on prototyping
various stitch ideas, though, and that taught me a whole lot! In particular,
that less can be so much more in design, and that sequins really weren’t going
to be needed.
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Sequins and shapes--oops, too busy! Loopy stitches--totally not needed! |
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Test of various floral elements and bead combinations. |
This bit of testing became the springboard of the final
design. (The pinkish part on the left was the keeper. Done, of course, in ivory like the dress and silvery-white.)
Here is part of it, being added to the bodice-front pieces. (3mm Swarovski perles, Miyuki size 11 seeds and size 15 rocailles)
The blue lines are the tracing lines, which are not on the actual fabric. They're on Sulky Solvy! Which, conveniently, dissolves in water. And that's what it did at the end of the beadwork.